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“Here Euripides stands, in vigorous English versions that entirely do him justice. The most progressed of the Greek tragedians has found a compelling innovative form.”—Robert Fagles
“A boon for classicists and standard readers alike. For the reader who comes to disaster for the primary time, these translations are eminently ‘accessible.’ . . . For the classicist, these versions constitute an ambitious reinterpretation of conventional masterpieces.”—Boston Book Review
“Don’t look for the wild and woolly—these were put together by wordsmiths. . . . But they are a far cry from a good deal of of the stodgier translations.”—Washington Post
“The 12-volume set will offer readers new verse translations of the finish surviving tragedies of Aeschylus, Sophocles, and Euripides, as well as the surviving comedies of Aristophanes and Menander. The finish line of Greek theater classics has not been offered to readers since 1938.”—Publishers Weekly
About the AuthorAbout the Translators J. T. Barbarese has published two volumes of poetry, Under the Blue Moon and New Science, and person poems of his have appeared in a lot of literary periodicals, including Antioch Review, The Atlantic Monthly, The Sewanee Review, and Boulevard. He writes book reviews for The Journal of Modern Literature, The Bloomsbury Review, The Georgia Review, The Sewanee Review, and the Philadelphia Inquirer. He received his Ph.D. degree from Temple University and has received the Pennsylvania Council on the Arts Poetry Fellowship. David Curzon Greg Delanty’s latest poetry collection is The Hellbox; his earlier volumes are American Wake, Southward, and Cast in the Fire. His poems have appeared in the United States, Ireland, England, and Australia in anthologies such as the Field Day Anthology of Irish Writing and the Norton Introduction to Poetry as well as magazines and journals such as the Atlantic Monthly, the New Statesman, the Irish Times, and the Times Literary Supplement. Delanty edited, with Nuala Ni Dhomhnaill, Jumping Off Shadows: Selected Contemporary Irish Poetry and, with Robert Welsh, The Selected Poems of Patrick Galvin. His a good deal of honors include the Patrick Kavanagh Award, the Allen Dowling Poetry Fellowship, the Wolfers-O’Neill Award, and the Austin Clark Award. Delanty was born in Cork, Ireland, and lives in Burlington, Vermont, where he teaches at St. Michael’s College. Carolyn Kizer is the author of seven volumes of introductory poetry (most not long back Harping On), one volume of translations, and other works of prose (most not so long ago Picking and Choosing: Essays on Prose). She was the firstborn conductor of literary programs of the National Endowment for the Arts, and has taught at the University of North Carolina in Chapel Hill, Washington University in St. Louis, Barnard College, Columbia University, Stanford University, University of Maryland, and Princeton University. In 1996 she was elected Chancellor of the Academy of American Poets. She has won the Pulitzer Prize, the Theodore Roethke Award, the Frost Medal and the Masefield Prize of the Poetry Society of America, and she has been esteemed for her poetry by the American Academy and Institute of Arts and Letters, amidst other arts organizations. Debora H. Roberts has been a fellow member of the Department of Classics at Haverford College since 1977. She has published work on Greek disaster and on Aristotle’s Poetics, and is coeditor of Classical Closure: Reading the End in Greek and Latin Literature. She has taught a potpourri of courses in Greek and Latin language and literature, and in comparative literature. Her interests include ancient literary criticism, the classical tradition, and children’s literature. Katharine Washburn–a writer, critic, and translator of poetry from classical and progressed European languages–is coeditor of the monumental World Poetry: An Anthology of Verse from Antiquity to Our Time, translator of Paul Celan: Last Poems, author of the forthcoming novel The Translator’s Apology, and coeditor of Dumbing Down. She received a concede from the National Endowment for the Arts and served for four years as an NEA panelist.
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